Most lineups are built on gut, last year's numbers, or a manager's pitch. DIGSCAPE adds the missing layer: which Scenes an artist actually belongs to, which Diggers and Crates carry them, and how a Trail connects one name on the bill to the next.
Managers and bookers carry a roster. Venues and festivals sell tickets. The permissions follow the job, not a pricing tier.
Every role on the live side gets Explore and Play as read access across the graph — the Scenes an artist sits in, the Trails that lead to them, the Crates that hold them, the Diggers who put them there. Not a chart position. A map of where a name actually lives.
Studio Analytics comes as elevated read: depth of interest, not vanity counts. You see whether a Drop travelled through people who dig, or sat still. Build a Crate for a shortlist and hand it to a promoter, a programmer, or a partner venue with the reasoning attached.
Managers and bookers get Roster CRM and Booking CRM as moderated read-write — the roster, the conversations, the offers, the history. Same graph as the Scenes and Crates, so an artist record is not a row in a spreadsheet detached from the work.
Publish Stories is moderated read-write too: put context behind an act before the conversation starts. What managers and bookers do not get is the venue side — no Host Live, no Sell on Place, no publishing releases, no Ticketing. The tools stop where the job stops.
Venue and Festival/Organizer are the only roles in the entire product with Ticketing, and they hold it as full read-write. They also carry Host Live behind an approval gate and Sell on Place behind verification — a room and a bill are not something you self-declare.
Booking CRM is moderated read-write on this side as well, so the offer thread and the room live together. Roster CRM is not part of it: a venue programmes, it does not manage artists. DIGSCAPE does not process ticket payments and makes no claim about who turns up.
A Trail is the argument for a running order: who influenced whom, which Scene the room is really in, where the night should turn. Dig Match reads two acts against each other for both shared ground and useful difference — the reason a support slot works instead of flattening the night.
DIGSCAPE is not a streaming service. Playback stays with the listening providers your team already uses; the graph supplies the taste, the context and the people. Beta access covers the booking and discovery tools only — it grants no rights to live audio, video or replay content.